2 lp compilation

140 g black vinyl, 1 x 3mm spine sleeve uv gloss , 1 x heavy weight printed inner sleeve. + download card + sticker

a collection of improvised duets with guitarist jim o�rourke and reedist mats gustafsson. the double vinyl is housed in a gatefold sleeve.

b-stock! cover with bent corner. vinyl unaffected & mint. next superb hypno melacholic ep on adid

next superb hypno melacholic ep on adid

jim sharp and nick bike back 2 back on the next friday�s funky 45.

soul/funk

limited rsd 2021 release - specially created double a-side on coloured vinyl.

jim sharp edits on 7 inch vinyl.

jim sharp joins forces with dj goce for a feel good edit.

heavyweight gatefold sleeve / printed innersleeve

jim williams� soundtrack for the scifi horror thriller �possessor� on black 180 gram double vinyl, housed in a gatefold sleeve.

incl. picture sleeve

original game soundtrack from the arcade adventure �little orpheus� by jessica curry and jim fowler. pressed on black 180 gram double vinyl, cut at 45rpm, download code included.

funky jim sharp edits on 7 inch vinyl.

jim sharp edit on limited translucent blue 7 inch vinyl.

two takes from the same track, 1st with jim spencer, flipside with angie jaree.

kassel jaeger and jim o�rourke are back on editions mego for a fascinating journey between deep space and flickering worlds.

ltd 7 inch

the original video game soundtrack from �blood & truth� on limited translucent double vinyl, 1x clear & 1x pink coloured.

jim morrison�s poetry over the doors� music. newly remastered, pressed on 180 gram vinyl, housed in a gatefold sleeve with original 8-page illustrated libretto included.

black truffle announce the release of le piano englouti (the sunken piano), the first collaboration between brunhild ferrari and jim o�rourke,

full cover discosleeve, big / fresh deep house as we like it

deepdownsizedbigroomtechnotools by mørbeck with a detroit-peaktime touched remix by label head templeton.

bombay springrolls contains three tracks which all have their own strengths. the a side is a wide 45 rpm print of thee j johanzs uplifting and pretty cosmic intergalactic rabbits remix of the original still fukkin with it on side b, a catchy slomo disco track by jim lok. here you also find thee j johanzs bombay springrolls, which just happened on an afterparty in a studio in bombay (energized by the best spring rolls around). with pre-production on the spot by bombay�s underground house and techno producers abhi meer (modular synth), spacejams (tr707) and chhabb (bassmachine). a digestive and spicy disc with a variety of flavors. masala!

classic jim sharp remixes of classic tribe joints. limited to 300 copies on brown marbled vinyl.

this wonderful, balearic tinged disco rarity is getting the official reissue treatment finally! nicolette larsons lotta love has long been a sought after jam, with the promo only 12inch version changing hands for big dough! mixed by the legendary florida born and nyc dwelling mixer and dj extraordinaire jim burgess, this one straddles that gorgeous line of being a bit rock (neil young wrote the track) and totally disco in all the right ways. a truly sweet slice of music here backed with a nice cover of sam cooke s classic standard you send me . often bootlegged, there s been some shoddy facsimiles kicking around over the years this high quality, official, 100% legit reissue has been lovingly remastered by above board distribution in conjunction with warner brothers from the master tapes. what more can you ask for? this 2018 repress is a reproduction of the 1978 wb promo only 12inch complete with warner brothers artwork. essential business.

raunchy r&b-funk out of seattle! camelot records, operated by jan kurtis skugstad from 1964 to 1966, released an astounding number of 45s during its short time of existence. jim pipkin & the boss fives mr. c.c. and walkin the duck were one of them. camelot is best known in collector circles for two monster releases by organist ron buford (accompanied on vocals by ural thomas on deep soul). originally mr. c.c. and walkin the duck were released on two different 45s. from now on you can save your og copies by playing this much crispier sounding re-issue.

steeped in the influence of flannery o�connor and tom waits, the album wrong-eyed jesus revealed jim white as a spiritual anatomist of the american south. no such place ups the ante revealing a broader, more diverse collection of songs about rage and redemption, depravity and dreams, dead cars and broken hearts. with tracks produced by morcheeba, sade co-founder andrew hale, and q-burns abstract message, along with stellar remixes by japanese underground guru, sohichiro suzuki of world standard and yellow magic orchestra fame, jim finds himself reveling in the unlikely zeitgeist of the new album. �this is a crackpot love letter to all those lost souls out there like me who won�t settle for wrong, but have no clue how to get to right.�

der soundtrack von jim williams zum umstrittenen, verstörenden, modernen kannibalen-horror-schocker -raw- von regisseurin julia ducournau in einer belgisch-französischen produktion, der bei den filmfestspielen in cannes 2016 seine premiere feierte und 2017 in die kinos kam. die europäische lp-ausgabe erscheint auf grünem 180g vinyl.

vinyl wiederveröffentlichung der 4-track ep aus dem jahr 1999! ein absolutes muss für alle jim o rourke fans!

nice price deal !!!

ltd funk 7 inch release

timely outing from two grand masters of exploratory electronics. kassel jaeger is the moniker of french musician françois bonnet who works at the grm and has released a number of books including the highly regarded the order of sounds, a sonorous archipelago published by urbanomic in 2016. jim o rourke is known to most through his explorations of the song and shapes, the high and low, the east and south. wakes on cerulean is a joint adventure where process folds upon process and the operation of procedure remains unknown. amongst a mysterious cloud of excited high frequencies tiny whistling howls. frog leaps in technique lay out a thrilling and uplifting journey that runs from the soothing to ecstatic and back to the buoyant again. wakes on cerulean is a staggering feast of the joys found in electronic process. a malleable bubble of hovering excitement, melody and joyous refrain.

recorded in kobe, kyoto, tokyo, september 2015 photos by jim orourke. layout by shunichiro okada despite decades of activity and having crossed paths in various collaborations editions mego is honoured to release the first ever duo recording from two of the most highly regarded citizens of planet experimental electronic. individually, jim orourke and christian fennesz have been responsible for numerous legendary works which merge the traditional avant-garde with contemporary sensibilities. on its hard for me to say im sorry these giants of experimental electronic practice come together for an immensely powerful sonic experience. the signature of both o rourke and fennesz cohabit this new release with o rourkes gurgling harmonies swimming amongst the shimmering frequencies and strummed melodies produced by fennesz. two side long tracks situate themselves as a warm electronic adventure. simultaneously radical and comforting these works shift from gentle sonorities to fully distorted explosions all of which reside within a template of tension between musical and non-music matter. timeless in execution and presentation its hard for me to say im sorry is a deeply rewarding sonic experience from two of the most romantic gentlemen active in experimental music today.

why does my mind circle around you? why do planets wonder what it would be like to be you? this time vakula explores the universe of the man who was searching for a world where there were women and children obeying the moon but faced the reality with its wisdom, and fever, and sickness. and faced it too soon. the music and voices are all around us. choose, the croon, the ancient ones. the time has come again . the album is vakula s thoughts in time and out of season dedicated to morrison, the poet, the musician, the soft mad child, the great man. enter again the sweet forest, enter the hot dream, come with us. everything is broken up and dances*

the fourth release of dusty donuts crew celebrates the 10th anniversary of the cult breakers hit *the antique anthem*, for the first time on 7 inch format. on the flipside comes a brand new b-boy banger from the two world nomads *make your move*.

check track d3! tipp
lobster theremin present their first label album, a double lp from chicago resident and elusive young talent, chicago jim. having cut his teeth on a life growing up in the windy city, jim s reverent ability to spin synthopian tales of old-school chicago and the birth of house music are a genuine reflection of a talent rarely seen at the helm of records in the post-00 s. label head jimmy asquith discovered the album online, originally released through chicago tape imprint pretty all right, and after streaming one track said tape was swiftly purchased and absorbed.

seit 2009 treffen sich die drei ausnahmekünstler keiji haino, jim o rourke und oren ambarchi immer um die jahreswende herum im superdeluxe in tokyo, improvisieren zusammen gigantisches und veröffentlichen auszüge davon dann ein knappes jahr später. das albumartwork wurde erneut in wundervoller weise von stephen o malley gestaltet. *only wanting to melt beautifully away is it a lack of contentment that stirs affection for those things said to be as of yet unseen* ist der mittlerweile fünfte streich des power trios, dieses mal handelt es sich um die aufnahme des kompletten ersten sets vom märz 2013. das zweite set wird voraussichtlich im herbst veröffentlicht!

brand new label dusty donuts delivers two remixed soul stompers courtesy of londons jim sharp. side a sees betty wrights classic *clean up woman* get treated with a healthy dose of brooklyn flavour, moving the tempo up without losing the original classic feel. side b is a horned up, funked up retake of blue boys sampling of marlena shaws *woman of the ghetto* with a hip hop feel.

this release blows the trios instrumental palette wide open for a single continuous piece.

the recordings for the wires cracked were completed in a frenzied two week period in october of 2012. i had mentioned in discussing a previous albums construction that i prefer to forget how i build any particular electro-acoustic amalgam. this is so that i dont get to precious with them, so that i could refine them further, so that the sounds themselves speak beyond their aggregate parts. with the album being relatively fresh in my mind, i can still recall various components to the wires cracked -- the desolate howl of a metal screen activated by a desert wind, the hissing air compression from the cooling apparatus for a laser at the slac national accelerator laboratory operated by stanford university, and the tremolo rhythms from a thin wire that still get me thinking fondly of günter schickert -- but much of the caustic drone, thrumming reverberation, and tactile grit thoroughly escapes me. that is probably for the best, since these various parts speak to an existential rupturing, the collapse of the self, the aftershocks of dark energy, and a belief in the hope for renewal. (jim haynes)